A-N-D’s Three New Lighting Collections at Milan Design Week
It’s rare to see a studio stay true to its core while expanding its reach so significantly—but that’s exactly what A-N-D has done. Since its founding in 2015, the Vancouver-based studio has grown—quietly but deliberately—into one of Canada’s most compelling international design voices. What began as a small, design-led practice has evolved into a globally recognized brand with a distinct and disciplined approach. Led by Lukas Peet, Caine Heintzman, and Matt Davis, the studio has remained rooted in clarity, structure, and experimentation. Their presence at Milan Design Week felt like the result of years of focused, thoughtful work—and the response to their dual presentations was a clear sign of just how far they’ve come.
At this year’s second appearance at Euroluce, the studio unveiled three new collections that continue the studio’s exploration of lighting as both sculpture and infrastructure. The Pace series, designed by co-founder Caine Heintzman, features layered glass components that explore rhythm and reflection. Designer Lukas Peet introduced Contour, a modular system defined by soft curves and formal precision, and Tier, a minimalist series in anodized aluminum with a clean, architectural profile. Presented in a pared-back environment that allowed the forms to speak for themselves, the collections reflect A-N-D’s commitment to craft, proportion, and control. After seeing so much at Euroluce—some of it bold, some beautifully made, and plenty that felt familiar—what stood out most was the quiet confirmation of A-N-D’s distinct voice. The studio stands apart for its commitment to original thought in an industry that often leans on repetition. Their ability to navigate the design world with both creative freedom and commercial clarity is rare—delivering collections that feel fresh, considered, and quietly unexpected. In a saturated market, they continue to introduce new work that feels wholly their own. While their designs are never derivative, it’s not uncommon to see their influence echoed elsewhere—a quiet testament to the strength and clarity of their vision.
In tandem with their fair presence, A-N-D partnered with Boon Editions for an offsite exhibition at a former bank near Piazza della Borsa Italiana. The presentation struck a rare balance: intimate but never overly familiar, polished without being predictable. The raw setting—stripped-back concrete, shadowy corridors, and considered lighting—gave the work room to breathe while keeping the mood sharp. To give an idea of this collaboration’s relevance, Boon Editions is known for its highly curated, limited-edition design collaborations with some of the most compelling emerging and established talents in the global design scene. From the sculptural elegance of Pieter Maes to the nostalgic modernism of Stefano Giacomello and the refined sculptural pieces by Tom Hancocks, each curated piece reflects Boon’s commitment to thoughtful, collectible design. For A-N-D to be invited into this lineage—alongside such a considered roster—cements their place not just as lighting designers, but as part of a broader conversation around collectible contemporary design.
In Milan, where authenticity matters and style is scrutinized, pulling off something that feels effortless—especially as a visiting brand on one of the world’s most critical stages—is no easy feat. Yet A-N-D did just that, not only through their work, but through one of the city’s most coveted opening parties. The line wrapped around the block, with editors, architects, design lovers, and tastemakers waiting patiently—cigarettes in hand—to step inside the former bank and see what the Canadian studio had created. With two bars serving cocktails and a DJ driving the atmosphere, the vibe at A-N-D’s opening was spot on—high energy, perfectly tuned, and just the right amount of buzz. Seeing the entire team so relaxed, grounded, and fully present at the party—genuinely enjoying the moment, was so fitting. In the eye of Milan’s stylish storm, where so much is about image, their humility stood out. There was no posturing, no pretension—just a quiet confidence and gratitude that radiated through the room. It’s rare to see a team so respected still operate with such ease and approachability, especially on a stage like this.
With this year’s Milan showing, A-N-D confirmed what many in the industry already suspected: the bigger brands are starting to look over their shoulders. This isn’t just a promising young studio anymore—it’s a design force with a clear point of view, a growing global audience, and the ability to create buzz that’s both well-earned and long-lasting.
BOON_EDITIONS X A-N-D: A dynamic offsite exhibition located within the vacant two-storey Milan Stock Exchange at Via San Vittore al Teatro 1/3.
EUROLUCE: Rho Fiera Milano, Pavilion 10, Stand No. C10
