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Anastasia Tabarovskaia’s fuses Russian art nouveau design and Japanese minimalist principles to create handmade pieces of high jewellery. With five generations of creativity in her genes, and a patient, technical approach to design, she produces sculptural creations that bring to light her artistic coming-of-age story.
The café in the lobby of Montreal’s Wilder Building attracts passersby with its whimsy. The ceiling is adorned with floating pink tutus, and the tables are topped with tassel-fringed lamps. The fantastic space is the latest addition to a building that started life as something quite quotidian.
For their first retail experience, the Toronto sportswear brand is popping up at downtown gallery from October 28th to the 30th.
By showcasing Tibi’s versatility, delivered with the effortless chill she exudes, Amy Smilovic is her own best advertisement, extending the Tibi brand to include a space for a community of like-minded, no-nonsense style enthusiasts.
Will Choui’s work is a visual journey of creative expression, forming materials into bold, skeletal shapes to create unconventional furniture with acute purity.
Following their aesthetic principles faithfully and with a commitment to sustainability, Lock & Mortice decided that using a region-based approach to wood furniture would be the best means to bring together all the ends.
Thom Fougere’s approach to furniture has been “archetypal,” which he explains as stripped down in its purpose but not in its conception and design: “I hate the word minimalism because it is interpreted as an applied aesthetic, where true minimalism has complexity embedded in it.”
