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On Cape Breton, on the easternmost tip of Nova Scotia’s Atlantic shores, folk music serves as a way to connect islanders with their Scottish roots.
At just 21, Preston Pablo is making major headway in the effervescent world of R&B and pop music. Pablo brings a new perspective that is both refreshing and exciting.
When listening to her heart-wrenching ballads, the combination of her soft, country/folk twang and poetic prose feels exceptionally intimate, like the pages of a diary sung out loud in a dimly lit room. White’s lyrics go far beyond her 22 years of age, making sense of even the most complex emotions. It’s emo excellence.
It seems paradoxical to explain a show riddled with infectious disease, murder, and a shattered civilization as beautiful, but through sound, the show becomes recontextualized into an evocative depiction of dystopia. The sonic universe of The Last of Us is filled with layers of madness.
The sound is alluring—music that sends tingles up your spine, takes over your mind, and demands your feet start moving. It provides a momentary escape, encouraging you to get lost and to find a happier, more alive version of yourself. This is the sound of Rêve, the Montreal singer-songwriter crafting dreamlike ’90s house and 2000s pop- and R&B-inspired anthems.
