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Like his portraits, Nicolas Party’s landscapes and sculptures evoke tension between familiarity and strangeness. A biomorphic quality threads across his work, wherein figures are questionably human, and landscapes and objects feel somehow alive.
As a filmmaker and Indigenous artisan, Kunuk has been a regular in the winners circle since his 2001 debut feature film Atanarjuat (The Fast Runner).
At its inception, MGA was possibly the only firm in North America using just wood in the building process, and this philosophy doesn’t stop at the construction or the material but considers wood from a holistic perspective.
“Our privilege as furniture, object, or interior designers is that we are working at the scale where we are closest to people. People touch what we do, they’re immersed in what we do. I really love this scale because this is where I can control the experience the most.”
Merging the worlds of ballet, performance art, and counterculture, the Kenyan-born Indian-Canadian artist places community at the heart of his work by questioning the status quo and finding hope through resilience.
From punk to painter, Andy Dixon emerged from the greyscale city of Vancouver into the kaleidoscopic enclaves of Los Angeles.
Stefano Ricci’s distinctively Florentine company has evolved from a distinguished menswear firm into a full-spectrum lifestyles brand.
Travel writer Pico Iyer discusses his new memoir, Autumn Light: Season of Fire and Farewells.
Grand Union, a new collection of short stories by Zadie Smith, is out. The British author, who burst onto the scene in 2000, continues to be a voice for literary freedom, heralding a humanity that is collective and diverse—in which we all belong to something greater.
