The Salzburg Festival—the world’s largest and most prestigious classical music and theatre event—turns 100.
There is a German word for longing: sehnsucht. It is a homesickness for a country you have never visited, a love for somebody you’ve never met. It is a yearning without an object, and so without an end.
According to alpine folklore here, good St. Nicholas rewards well-behaved children with presents while his demonic counterparts—called Krampus—punish miscreants.
For serious enthusiasts, Palais Coburg is an easy place to get delightfully lost in history.
Cozy up with a hot cup of cocoa as you stroll through the bustling alleys of these international Christmas markets. From Germany to New York and Shanghai to Toronto, these holiday fairs welcome starry-eyed shoppers and rosy-cheeked spectators to explore a winter wonderland.
The selected works, on loan from two private collections, start off with a subtle nod to The Weather Project: the grandiose palace entry hall is awash in orange light. Illuminated, the visitor becomes part of the art, moving through spaces moulded by Eliasson’s manipulations of mirrors and light.
In the idyllic Alpine town of Wattens, Austria, Daniel Swarovski founded the crystal company that would eventually become an international household name. In 1995, the Swarovski Kristallwelten (Crystal Worlds)—a playground for the brand’s most ardent enthusiasts—was unveiled near where the Swarovski enterprise started, 120 years ago.
Vienna’s appeal is undeniable. The Austrian capital was named the world’s most livable city for the sixth time in a row.
Paris had the triumphal Champs Élysées and London the stately, tree-lined Mall. But in mid-19th-century Vienna—seat of the historic Habsburg monarchy—there was only a faded tangle of old-town streets circled by military towers. And for Emperor Franz Joseph I, that wasn’t good enough.