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Chris Fusaro’s design ethos informs his exploration with materials. He strives for lightness (“Don’t make something heavy if it doesn’t need to be”) and generally gravitates toward mono materiality, which allows an organic process. The shapes are simple but expressive, relying on eccentric silhouettes that still make sense.
Combining timeless figurative aspects of folk culture like metal sculptures, bas-reliefs, and textiles with abstract functionalism illustrates the diverse cultural fabric of the Caucasian nation.
The complexity of Venice and its architectural heritage, not to mention the strong tradition here of artigianato or master craftsmanship, can make the city a difficult place to consider contemporary design—we feel the weight of history.
Collectible sits at the intersection of art and design. Lending a curatorial eye to the purchasing process.
This year, we don’t have to remind you, is a little different. But DesignTO, the week-long festival celebrating creativity and design, is thriving nonetheless.
The philosopher, artist, and writer creates an industrial art piece for Italian lighting company Foscarini.
FROM THE ARCHIVE: The original mid-century modern pottery house, Heath Ceramics, hasn’t strayed far from its roots over the past 66 years.
FROM THE ARCHIVE: Of the new generation of automotive designers, one man stands out—not just for his success rate in designing a sequence of very desirable cars, but also for his sheer humility. That man is Karim Habib.
FROM THE ARCHIVE: Design is all about perception. What brings joy to one person is anathema to another. And who is to say what good design is and what is bad?
