Max Mara relaunches its classic 10180 topcoat with a touring exhibit of Roxanne Lowit’s photography of iconic women donning the timeless garment.
There is a German word for longing: sehnsucht. It is a homesickness for a country you have never visited, a love for somebody you’ve never met. It is a yearning without an object, and so without an end. It’s the vague, elegiac melancholy you find in Viennese writers like Zweig or Roth, missing the Vienna Before the War.
A sociopathic white collar crime sees a PTA mom framed; when architecture students decide to become chocolatiers, instead.
Lifted from the imagination of Bandit9’s founder, Daryl Villanueva, the EVE MK II exists in nine limited-edition pieces at the MB&F M.A.D.Gallery.
As IDS West attracts approximately 36,000 design-minded visitors to its exhibitor gallery per year, Collect is a valuable opportunity for local artists to add another dimension through which visitors may deepen their understanding of the province’s creative culture.
Since its inception, the Setouchi Triennale has garnered international attention for its blue chip art, displayed in a surreally beautiful and utterly remote setting.
Taking place in the Coal Harbour neighbourhood’s Jack Poole Plaza, the 5,000-square-foot event is comprised of nine stations from a watchmaker solving a precise puzzle of gears and screws, to a saddler, leatherworker, silk-printer, gem-setter, and more.
Open as of August 2016 and designed by Vancouver architect James K. M. Cheng—one of the godfathers of Vancouverism as an architectural style—the suites incorporate elements of contemporary European design (hello, merlot-hued Ico Parisi–inspired sofa) with localized touches.
On now until February 19 at the Montreal Museum of Fine Arts, She Photographs encourages its audience to consider the role of contemporary photography from a female perspective.