With more than 762 centimeters of snow and 300 days of sunshine per year, Telluride is one of the most dependable destinations for powder hounds.
FROM THE ARCHIVE: “Hold all my calls, I’m sleeping with Mr. Darcy tonight!” So went my cheeky last words to the innkeeper at The Peacock at Rowsley Hotel. A mere year ago, Colin Firth slipped between these very sheets.
When fashion and film unite, expect the unexpected. The Giorgio Armani brand is a long-time patron of the arts, and now the company is promoting emerging filmmakers through its Films of City Frames initiative.
Autumn is most certainly arriving, and with it the burst of the summer movie bubble. We rouse to the realization we’re emotionally and intellectually starving for a meaningful story. This is what the Toronto International Film Festival does best.
The Maison Perrier-Jouët celebration for Foxcatcher was buzzing. Like clockwork, the Cannes darling enthralled Toronto critics and audiences alike last night. Based on actual events, this Sony Pictures Classics drama is one of the year’s most anticipated films.
Not to be upstaged by Buckingham Palace’s announcement of the Royal Baby Part II, first things first: Eddie Redmayne is genius at playing genius.
The brows have landed. Lending some much needed catwalk chic to the Toronto International Film Festival’s opening weekend, Cara Delevingne arrived to celebrate the world premiere of The Face of an Angel.
By far the hottest invitation of the night, the Hudson’s Bay bash for the world premiere of St. Vincent quickly turned into a wild kingdom of revelry. Befitting of the end of the Toronto International Film Festival’s official Bill Murray Day, the veteran actor earned a thundering ovation at the Princess of Wales Theatre for his latest role.
Robert Downey Jr. came in hot, ready to party. And by party I mean got down on his knees to talk meaningfully to a seven-year-old.
The 39th annual Toronto International Film Festival (TIFF) began with an evening of art imitating life imitating art. The inimitable Al Pacino was the subject of a career retrospective, taking part in an onstage conversation with interviewer George Stroumboulopoulos.