With current roles heading up the Canadian Academy of Recording Arts and Sciences, MusiCounts, and the Juno Awards, Allan Reid has had a storied career in the music biz.
If anyone can make playing the accordion sound sexy, it’s Ksenija Sidorova.
Wainwright’s elegant, vibrational vocals work within each track, unifying the album with her powerfully distinct multifaceted emotional spectrum.
Leon Bridges seems completely overwhelmed by the attention he’s been receiving—and for good reason. Just two years ago, the singer was crooning for co-workers while working part-time at two restaurants in Fort Worth, Texas.
Royal Wood had a problem. The singer-songwriter had fallen out of love. But not with a person, with something potentially more devastating—with music.
FROM THE ARCHIVE: The sound emanating from within C. Bechstein’s piano factory in the sleepy German town of Seifhennersdorf, Saxony, is a cacophony of keys being tested, the guttural sawing of wood, and, at one workbench, a radio softly playing American pop music.
Google “songs about …” and you open the door to a pantheon as immense as, well, the Pantheon. Imagine titles like “Under the Bridges of London” or “Under Toronto Skies”. A little lacking in romance, non? Until you replace those cities’ names with “Paris”.
Remember when someone professed affection for another with a custom mixed tape? Creating one took effort and dedication, to carefully play the cassette while simultaneously recording on another.
Legend has it that Lewis Carroll redefined the word portmanteau. Originally used to describe a stiff leather suitcase that hinged at its back to open in two equal halves, Carroll, inspired by the definition, applied it to language.